‘The way of the cross, a two panel’, pencil on paper
A 19th century Dutch School preliminary study drawing.
‘The way of the cross, a two panel’, a 19th century Dutch School preliminary study drawing. Two preliminary study drawings on one piece of paper. A watermark becomes visible when the drawing is held up to the light.
The Way of the Cross or the Stations of the Cross, also known as the Via Crucis, refers to a series of images of Jesus Christ on the day of his crucifixion. The possible path that Jesus walked to Mount Calvary in Jerusalem (the Via Dolorosa) has been the inspiration for the various stations. The stations help the Christian faithful to make a spiritual pilgrimage through the Passion of Christ. It has become one of the most popular devotions and its stations can be found in many Western Christian churches.
There are about fourteen images, each of which varies greatly in style, shape and placement of the stations. The classic depictions of the stations are small plaques with reliefs or paintings placed in or around the church. The fourteen stations are arranged in numbered order with almost every station being found in the bible. Stations three, seven and nine are not exactly described in any particular verse of the bible.
All the stations of the cross:
- The first station: Jesus is condemned to death
- The second station: He is made to bear his cross
- The third station: He falls the first time
- The fourth station: He meets his mother
- The fifth station: Simon of Cyrene is made to bear the cross
- The sixth station: Veronica wipes Jesus’ face
- The seventh station: He falls the second time
- The eighth station: The women of Jerusalem weep over Jesus
- The nineth station: He falls the third time
- The tenth station: He is stripped of his garments
- The eleventh station: He is nailed to the cross
- The twelfth station: He dies on the cross
- The thirteenth station: He is taken down from the cross
- The fourteenth station: He is placed in the sepulcher
French school, Dutch school, Italian school and so much more. The word ‘school’ is used with various meanings and often to describe a certain type of painting style.
In its narrowest sense, the word ‘school’ can denote a group of painters who worked under de influence of another artist. A great example is the ‘school of Leonardo da Vinci’ were a large group of artists worked in the studio of, or under the influence of, Leonardo da Vinci. They are also known as ‘The Leonardeschi’.
In its widest sense, the word ‘school’ can denote a whole country of painters and describe a typical style which reflects the painters of that country. An example is ‘Italian school’ or ‘French school’. In another sense, the word ‘school’ can also denote a certain region of a country. The ‘Venetian school’ applies to painters who worked under local influence or with general similarities in color or technique. Famous examples of ‘Venetian school’ artists are Lazzaro Bastiani (1430-1512), Giovanni Bellini (1430 – 1516) and Giulio Campi (1500-1572).
Study drawing, preliminary study drawing and the old master drawing.
A study drawing or a preliminary sketch or drawing is a frequently used medium by artists before starting the actual work of art. Sometimes a study drawing or preliminary study is more important than the finished work of art. Such details from a study drawing or preliminary study help to reveal an artist’s thought processes and techniques.
First, let’s start by discovering the difference between sketching and drawing and between preliminary study and study drawing. To make things a little easier: sketching first and drawing later leads to a finished work of art. The preliminary study which is necessary to complete the work as best as possible often starts with a loose sketch, followed by the preliminary drawing, after which the actual work of art can be finished with paint or another medium.
Drawing a study means that the bigger picture is divided into small segments. Here the artist practices with what he can already do, such as loose hands, loose feet or other loose body parts. The artist can also choose to practice figures or objects in a study drawing. These separate study drawings can sometimes have more impact than a preliminary sketch or drawing. By practicing individual elements, the artist can discover new insights that may have a positive influence on his or her preliminary study.
Recognizing the difference between a sketch and a drawing is often easy. A sketch is drawn loosely and lacks a lot of detail. Coarse, tangled lines are visible, and sometimes the artist starts over and over again on the same sheet of paper. With a drawing, the artist is already at an advanced stage of his preliminary study, here the story is often already recognizable and objects and people are depicted in detail. The preliminary sketches and drawings can then be used as a visual note for the actual work of art.
A common and recognizable detail in old sketches and drawings is the artist’s handwritten note. The artist describes the light, color, shape, perspective or composition needed for the finished work for certain objects or people. Written notes alongside visual images aid in understanding the finished artwork as they allow the viewer to share the artist’s process of getting to know the subject.
The term ‘old master drawing’ or ‘old master’ is often used in auctions, but when is a drawing an ‘old master drawing’?
Skilled art and antique dealers usually use the term “old master” for highly skilled painters who were active in Europe before the 1800s. The term ‘old master’ can also be used to indicate a painting, print or drawing from the same period. A well-known artist often had apprentices who also produced paintings, drawings or etchings. These could be of such a high standard that they are also referred to as ‘Old master’, an example of this: works by the School of Rembrandt van Rijn.
The Oxford English Dictionary defines the term “old master” as “A distinguished artist of the pre-modern period; especially a prominent Western European painter of the 13th to 18th centuries.” From this definition it can be concluded that the term ‘old master’ only applies from the 13th century, paintings from the period before that are considered primitive.
‘The way of the cross, a two panel’, pencil on paper
|Sold with frame||
This item is sold including it's frame
|Dimensions including frame||
62.5 x 82 centimeters
|Dimensions excluding frame||
23 x 58.3 centimeters
This frame has been repurposed especially for this artwork. Taaffeite Collectibles tries in every way to protect the environment and advocates a 'reuse attitude' to leave a better world for our next generation. Consider this frame as a gift and please feel free to reframe the artwork to your own taste so that it fits into your interior or workplace. Traces of wear and tear visible.
Pencil on paper
'The way of the cross, a two panel'
Due to prolonged exposure to the elements, signs of aging are clearly visible. However, this contributes to a unique and characteristic presentation of this work.
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