A very powerful modern 20th century French school bronze sculpture titled ‘The Horse’. Stamped with ‘JB Paris’ and hand-signed with ‘Gadi’.

Bronze

Bronze sculptures are often called simply a ‘bronze’, just because this metal is used most for sculptures. The choice for bronze arises from the desirable and advantageous assets of expanding a bit before it sets. In such this way, the finest details of a mould will be filled with bronze to create the best sculptures. Even more advantage is the property of shrinking when it cools, making it easier to separate from the detailed mould. A number of distinct casting processes are used for making bronzes. Lost-wax casting, sand casting and centrifugal casting are the most used casting methods.

Nowadays, bronze is still a precious metal and could easily be stolen to be melted down. During the first and second world war, a lot of sculptures were melted down to make weapons or ammunition. Luckily a generous number of sculptures were preserved in museums and in private collections. Possibly the first bronze ever made (and preserved) dates back from 2300-1750 BCE and it is held by the national museum in New Delhi.

Many different bronze alloys exist. The most common alloy for bronze is 88% copper and 12% tin. Classic and statuary bronze consists mostly of 90% copper and 10 % tin. The term bronze is tending to be regarded in museums and replaced in descriptions as ‘a copper alloy’, mostly seen for older objects.

‘School’

French school, Dutch school, Italian school and so much more. The word ‘school’ is used with various meanings and often to describe a certain type of painting style.

In its narrowest sense, the word ‘school’ can denote a group of painters who worked under de influence of another artist. A great example is the ‘school of Leonardo da Vinci’ were a large group of artists worked in the studio of, or under the influence of, Leonardo da Vinci. They are also known as ‘The Leonardeschi’.

In its widest sense, the word ‘school’ can denote a whole country of painters and describe a typical style which reflects the painters of that country. An example is ‘Italian school’ or ‘French school’. In another sense, the word ‘school’ can also denote a certain region of a country. The ‘Venetian school’ applies to painters who worked under local influence or with general similarities in color or technique. Famous examples of ‘Venetian school’ artists are Lazzaro Bastiani (1430-1512), Giovanni Bellini (1430 – 1516) and Giulio Campi (1500-1572).