A stunning 19th century oil on panel (Marouflé) Italian School depicting ‘Madonna della Seggolia’ after the known work of Raphael (1483-1520). Not signed, recently cleaned and sold with original frame.

‘After’

The word after is often used in museums, art galleries and antique stores. The meaning is very simple, it is a copy of that specific artist’s work where the word ‘after’ is placed before or after the artist’s name. It is very important not to forget that the word ‘after’ has nothing to do with ‘faking’ the artist’s work.

An (unknown) artist can paint a copy of a famous work which is exhibited in a museum. This copy if not a fake, because the (unknown) artist is not claiming to be the original artist of the work. When the (unknown) artist wants to sell his own copy, the word ‘after’ is placed before or after the original artist’s work. Now, the work is not a fake, but a nicely made copy.

Using the word ‘after’ for copies has already been done for centuries. But there are different levels of ‘afters’. An ‘after’ can already be an ‘after’ when an (unknown) artist is copying in 2020 the work ‘The starry night’ by Van Gogh. The (unknown) artist is far removed from the original artist by time and association. A very high level of an ‘after’ is when the original artist is involved or approves the ‘after’. Even an original signature by the original artist can be placed on the ‘after’.

Even tough an ‘after’ is a copy, the value and quality can still be very high and ‘afters’ will stay highly collectible.

‘School’

French school, Dutch school, Italian school and so much more. The word ‘school’ is used with various meanings and often to describe a certain type of painting style.

In its narrowest sense, the word ‘school’ can denote a group of painters who worked under de influence of another artist. A great example is the ‘school of Leonardo da Vinci’ were a large group of artists worked in the studio of, or under the influence of, Leonardo da Vinci. They are also known as ‘The Leonardeschi’.

In its widest sense, the word ‘school’ can denote a whole country of painters and describe a typical style which reflects the painters of that country. An example is ‘Italian school’ or ‘French school’. In another sense, the word ‘school’ can also denote a certain region of a country. The ‘Venetian school’ applies to painters who worked under local influence or with general similarities in color or technique. Famous examples of ‘Venetian school’ artists are Lazzaro Bastiani (1430-1512), Giovanni Bellini (1430 – 1516) and Giulio Campi (1500-1572).